beneath my feet V: Thalberg Quarry

beneath my feet V: Thalberg Quarry 2022

beneath my feet V: Thalberg Quarry 2022 (detail)

Series Statement

beneath my feet (nos. V – VIII) were commissioned by Outer Space for SUPERCUT – Project 4 // simulation in 2022.

There are places that connect us to the matter making up our reality – the atoms, molecules, chemical reactions and atmospheric interactions. They morph and coexist, ever-changing and yet often remaining in-situ waiting for our disruption.

 Beneath my feet embraces the dysfunction of algorithms in Adobe Photoshop, where I cut and collage numerous still photographs and transpose site specific field recording spectrographs (visual analysis of soundwaves). The images are developed from numerous aerial photographs of understory plants and the varying forest floors. I leave ghosting and pixelation triggered by my use of Photoshop’s inbuilt algorithms.

 

These flickering images are simulacra, reminders of my lost memories from illness that have been infilled with detail by my brain trying to make sense of disjointed time. They echo varying spectral forms, flickering between the tensions that pull us from one moment into another, searching for grounding through place.

These works use hundreds of photographs and field recordings from the forest and valley understory and ground on my family’s farm. This property, on the Lands of the Jarowair people of the Wakka Wakka nation, has sections of bushland, grasslands and naturally regenerating cultivation featuring diverse plant species. Site-specific spectrography visualises the unique sonic environment of each location.

View the entire series here.

 

 

SUPERCUT is supported by the Restart Investment to Sustain and Expand (RISE) Fund – an Australian Government Initiative and is presented in partnership with Artspace Mackay and Northsite Contemporary Arts, Cairns.⁠

A circlet, a wreath, a cycle. The richness of colour and sound dripping, bleeding and falling to earth. An artwork featuring a flowering eucalyptus and exploring the folly in repetitive replication.

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